Tuesday, August 5, 2008


the main elements of a musical score,,,,,,,,,,,




anatomy of a note, a single sound of a particular pitch and length which is notated with a symbol made up of a notehead (in all cases), a stem (in some cases) and a flag (in some cases), and which with notes bearing flags are grouped together using a beam





Starting with Chambonnières' print of 1670, almost all French composers included tables of ornaments in their printed editions, to illustrate 'the manner of playing.' Jean-Henri d’Anglebert (1635-1691) included a very thorough table of ornaments, perhaps the most complete of all. His symbols and types of ornaments provide both melodic embellishments and elaborate chordal figurations. D'Anglebert's system, like all French ornament systems, is combinatorial: a small number of simple gestures can be combined in a multitude of ways to produce a very rich set of ornamental figures. Since D'Anglebert uses exactly the same set of ornaments in one of his figured-bass examples, his entire oeuvre is a rich source of ideas for accompaniment in the French style. His table served as the basis for many similar tables published later. Monsieur de Saint Lambert makes frequent reference to it in his influential Les principes du clavecin of 1702; and J. S. Bach, C.P.E.'s father, used it as the basis for the ornament table he provided for Wilhelm Friedemann's Clavier-Büchlein in 1720, which is applicable to much of his, that is J.S.'s own music.

MUSIC NOTES







clef: graphical symbol placed on the left of the stave which

establishes the relationship between particular note names and their

position on the staff lines and spaces (i.e. tells us which pitch

"class" that stave belongs to).

* treble G-clef
* bass F-clef
* alto C-clef
* soprano and mezzosoprano C-clef
* tenor C-clef
* baritone C-clef, baritone and subbass F-clef
* French violin G-clef
* percussion or indefinite pitch clef - not shown

At the suggestion of Nick Meiners, we show the relative pitch

positions of the commonly used clefs

G-clef (e.g. treble clef) marks G above middle C
C-clef (e.g. alto clef) marks middle C
F-clef (e.g. bass clef) marks F below middle C

Tuesday, July 8, 2008

DOWNLOAD MOVIES AND SONGS

u can down load latest movies and songs free of cost in many websites
kollywood
bollwood
hollywood

Monday, July 7, 2008

kuselam photos have been released and you can download songs also

Saturday, July 5, 2008




‘Tashan’ , the duo of Vishal-Shekar return with music for yet

another comedy film since ‘Golmaal’. The movie combines Reitesh

Deshmukh and Aftab Shivdasani which raises the musical expectations

even further since ‘Masti’ provided some great music. The album is

even more special as Vishal Dadlani steps in as lyricist for the

album.


Jaane Tu Ya Jaane Na - Youthfully Romantic!
‘Jaane Tu Ya Jaane Na’ music releases very much the Aamir Khan style

under the hands of mentor Shammi Kapoor. The movie produced by Aamir

Khan might just prove to be the perfect launch pad for nephew Imraan

Khan. The movie promises more with director Abbas Tyrewala penning

down some beautiful lines and with the ace A.R.Rahman at work.


Sirf - Decent start for debutant Sohail Sen
Sirf comes across as a movie bringing forth the stories of people

living in metros very much like Anurag Basu’s ‘Life in a Metro’. The

only difference here, being that ‘Sirf’ has been done on much lower

budgets and seems void of the necessary publicity.
Read review...

Tashan
- A good blend of English, Hindi and Bhojpuri
The album opens with ‘Dil Haara’a rock cum folksy affair rendered by

Sukwinder Singh. The lyrics have been penned by Piyush Sharma and

the track has some motivating phrases. The pumping elements in the

form of “oo-aah” signature and the electric guitars enhance

Sukhwinder’s vocals. But, the track fails to really make it as one

of those numbers that either sink into you or make you hum it and

soun


Jannat
- An interesting album
Pritam returns to the Bhatt camp after some great hits be it

Gangster, Woh Lamhe or Awarapan. Mukesh Bhatt and Mahesh Bhatt known

for the subject’s explored and great music offered by their films,

this time explore the world of cricket.
Mission Istaanbul - An album without a vision
Director Apoorva Lakhia indeed loves to do macho flicks and has a

definite ear for music. With his previous flick ‘Shooutout at

Lokhandwala’ , he bagged couple of hit numbers with multiple

composers. Here too he attempts the same with the likes of Mika

Singh, Shamir Tandon . Chirantan Bhatt and Anu Malik.


Love Story 2050 - Anu Malik fails to impress
Harman Baweja’s much awaited launch comes across with Love Story

2050. Papa Harry Baweja spearheads the direction of the film and

leaves no leaf unturned with his son’s launch pad and takes the same

road Rakesh Roshan took for Hrithik.


Haal-e-Dil - Too many composers, hardly impressive
Kumar Mangat’s daughter makes her much awaited debut this year with

great support from her dad and good friend Anil Devgan. Haal-E-Dil

brings a mix of composers ranging from Vishal Bharadwaj , Pritam ,

Raghav Sachar and Anand Raj Anand .


Ada... a way of life - An enchanting Rahman experience
The music of “ ADA ” comes as a breath of fresh air. There is

everything one can wish for in a complete music album – romantic

duets, the pain of separation, the heart rendering cry of a

questioning soul, the playfulness of youth - every mood, every

sound, and each word captured in an enchanting experience.


Thoda Pyaar Thoda Magic - Carries the aura and magic
After a disastrous start to the new year with ‘Tashan’ , a lot seems

to be riding on Kunal Kohli’s ‘Thoda Pyaar Thoda Magic’. Why not?

Especially when Kunal has given hits like ‘Fanaa’ and ‘Hum Tum’. The

music for this album has been composed by Shankar-Ehsaan-Loy who

return to the Yash Raj camp after ‘Jhoom Barabar’. The lyrics have

been penned by Prasoon Joshi who was instrumental in the success

KOLLYWOOD MUSIC RELEASE

Kuselan - Simply stunning
A soft melody in Chaaral and Sollamma, nice peppy tunes for Cinema

Cinema, Perinba Pechukara and Om Zarare sum up the album. But the

varied instrumentation and the catchy interludes and rhythm makes

all the difference. Prakash proved his skills in 'Veyyil' and

‘Kireedom’ before. He seems to have come more polished and skilled

in ‘Kuselan’.


Subramaniapuram
- Provides a fresh feel
The good use of rhythm and a mix of melody and peppy beats, the

album have songs which are sure to top audio charts. What more, the

debutant music composer has introduced several new voices, who

provides a fresh feel.


Dhaam Dhoom - Harris all the way
‘Dhaam Dhoom’ adds to the list of topnotch albums rendered by Harris

Jayaraj. It has everything a music-lover would ask for - melody,

hip-hop, jazz and Indian classical.


Dasavatharam - Himesh at his best
The much-awaited audio of ‘Dasavatharam’ is out. The Bollywood music

king Himesh Reshammiya forays down south with the movie which has

raised all expectations for the simple fact that Kamal Haasan is

part of it and doing 10 different roles.


Kuruvi - A loud chirp
The album has six tracks including theme music. Vidyasagar has

managed to come up with songs, which are bundle of energy and

foot-tapping. The likes of Yogi, Dr Burn, Anuradha Sreeram, Sangeeth

Haldipur and Vidyasagar himself have lent their voice.


Arai En 305il Kadavul - Pacy and breezy
After ‘Imsai Arasan’, director Simbhu Devan has settled down to do

another hilarious entertainer in Arai En 305il Kadavul. This time he

has teamed up with Prakash Raj and comedians Santhanam and Ganja

Karuppu.


Nepali - Energetic, entertaining and enthusiastic!
'Nepali' is a quality album which has fresh vocals coupled with a

excellent harmony, instrumentation and good use of trumpets and

saxophone.


Billa - Groovy & good
Yuvanshankar Raja had greater responsibility in his shoulders to

deliver the best for the remake of yesteryear blockbuster Billa.

Obviously his work will draw comparisons with the original

Kallori - Trendy and youthful
Joshwa Sridhar has done it again. The young musician, who had

enthralled us with his different approach in Kaathal, has come out

with another winner with this album. Though the songs are not

outstanding, they perfectly reflect the mood of the central theme of

the movie, i.e., the life in collage campus. The songs are trendy

and youthful. They offer verity and right spirit